User:Julesvernex2

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About Jules Verne Times Two[edit]

Hi there, we're Jules, Gabriel and Verne, a family of three that regularly travels and writes about it: julesvernex2.com.
Our musings are often intertwined with photography, so we regularly upload to Wiki Commons the images that can be shared under a free license.

PS: These are of course not our real names, but a homage to the great Jules Verne.
PPS: The 'Times Two' bit is a nod to what is perhaps his most well-known novel, as our first round-the-world trip took 160 days (150, actually, but ‘Jules Verne Times One Point Nine’ doesn’t have the same ring to it).

Browse all our images[edit]

Personal favourites
• Personal favourites
By country

• Austria
• Belgium
• Bosnia and Herzegovina
• Canada
• Croatia
• Cyprus
• Czechia
• Denmark
• France
• Greece
• Hungary
• Italy
• Malta
• Norway
• Poland
• Portugal
• Slovakia
• Spain
• Sweden
• United Kingdom
• United States

By year

• 2023
• 2022
• 2021
• 2020
• 2019
• 2018
• 2017
• 2016
• 2015

By genre

• Abstract(ish)
• Animal
• Architecture
• Black & White
• Macro
• Nature
• People
• Video

By technique

• Long exposure
• Panning
• Starburst
• Focus stacking
• Panorama
• Tone mapped (HDR)
• Montage
• Other composites

By camera

• Apple iPhone X
• Canon EOS 5D Mark II
• DJI Mavic Pro
• DJI Mavic Air 2
• DJI Mavic Air 2s
• Fujifilm S5 Pro
• Fujifilm X-T10
• Fujifilm X-T1
• Fujifilm X-T2
• Fujifilm X-T3
• Nikon D200
• Nikon D800
• Ricoh GR III
• Sigma DP2 Merrill
• Sigma dp1 Quattro
• Sigma sd Quattro
• Sony α6000
• Sony α7RII
• Sony α7RV

By lens

X-mount
• Samyang 8mm F2.8 UMC Fish-eye II
• Fujifilm XF 10-24mm f4 R OIS
• Fujifilm XF 16mm f1.4 R WR
• Fujifilm XF 18-135mm f3.5-5.6 R LM OIS WR
• Fujifilm XF 18mm f1.4 R LM WR
• Fujifilm XF 27mm f2.8
• Fujifilm XF 35mm f2 R WR
• Mitakon Speedmaster 35mm f0.95 Mark II
• Fujifilm XF 50-140mm f2.8 R LM OIS WR
• Fujifilm XF 50-140mm f2.8 R LM OIS WR (1.4x teleconverter)
• Laowa 65mm f2.8 2X Macro APO
• Fujifilm XF 70-300mm f4-5.6 R LM OIS WR
• Fujifilm XF 80mm f2.8 R LM OIS WR

E-mount
• Meike 6.5mm f2 Fisheye
• Sigma 14-24mm f2.8 DG DN Art
• Sony 24mm f1.4 GM
• Sony 24-70mm f2.8 GM
• Sony 35mm f1.8
• Sony 35mm f1.4 GM
• Sony 85mm f1.8
• Sony 200-600mm f5.6-6.3 G OSS

EF-mount
• Canon 24-105mm f4 L IS
• Laowa 25mm f2.8 2.5-5X Macro
• Canon 50mm f1.8 STM
• Samyang 135mm f2 ED UMC
• Samyang 135mm f2 ED UMC (Mitakon Lens Turbo II focal reducer)

F-mount
• Nikon 50mm f1.8 G AF-S
• Nikon 55mm f3.5 AI Micro
• Nikon 85mm f1.8 G AF-S
• Nikon 200mm f4 AI

Other mounts
• Industar-61 52mm f2.8 (M39-mount)
• Carl Zeiss Jena Tessar 50mm f2.8 (M42-mount)
• Hanimex 400mm f6.3 (M42-mount)
• Porst 28mm f2.8 Super-WW MC (reversed) (M42-mount)
• Sigma 30mm f1.4 DC HSM Art (SA-mount)
• Tamron 80-210mm f3.8-4 (Adaptall-2-mount)
• Jupiter-11 135mm f4 (M39-mount)
• Konica Hexanon AR 50mm f1.7 (AR-mount)
• Konica Hexanon AR 135mm f3.5 (AR-mount)

Fixed lens
• DJI Mavic Pro 4.7mm f2.8
• DJI Mavic Air 2 4.6mm f2.8
• Apple iPhone X 4mm f1.8
• Apple iPhone X 6mm f2.4
• Ricoh GR III 18.3mm f2.8
• Sigma dp1 Quattro 19mm f2.8
• Sigma DP2 Merrill 30mm f2.8

By PPL (Post Processing Level)

• PPL1 (Corrected)
Post-processing that attempts to recreate as accurately as possible what the photographer saw. Common corrections include white balance, tone, sharpening, perspective, and removing smudges and other small blemishes.

• PPL2 (Enhanced)
An image that goes beyond what the photographer witnessed when taking the picture. This can be done for aesthetic reasons (e.g. changing colours, converting an image to black & white), by using techniques that circumvent camera limitations (e.g., HDR tone-mapping, panoramas), or by capturing information that the human eye cannot perceive (e.g. long exposures, infrared photography).

• PPL3 (Altered)
An image were elements were removed (e.g. cars, people), added (e.g. a blue sky) or manipulated (e.g. changes to a person’s appearance).



This user has been on Wikimedia Commons for
7 years, 7 months and 11 days
This user has uploaded 3800 images to Wikimedia Commons.
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en-5This user is able to contribute with a professional level of English.
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