{"id":28421,"date":"2023-06-30T08:14:47","date_gmt":"2023-06-30T08:14:47","guid":{"rendered":"https:\/\/m2comms.com\/?p=28421"},"modified":"2023-08-23T04:32:28","modified_gmt":"2023-08-23T04:32:28","slug":"filipino-documentary-filmmakers","status":"publish","type":"post","link":"https:\/\/m2comms.com\/2023\/06\/30\/filipino-documentary-filmmakers\/","title":{"rendered":"6 Filipino Documentary Filmmakers to Keep on Your Radar"},"content":{"rendered":"\n<p><strong><em>Documentaries are no longer textbooks in motion. Filipino documentary filmmakers have helped solidify the medium in the age of online streaming platforms.<\/em><\/strong><\/p>\n\n\n\n<p>Documentaries are media frequently consumed in the Philippines. Many of us grew up watching television shows such as \u201c<em>Kapuso Mo Jessica Soho<\/em>,\u201d \u201c<em>Reporter&#8217;s Notebook<\/em>,\u201d \u201c<em>i-Witness<\/em>,\u201d and \u201c<em>Investigative Documentaries<\/em>,\u201d which used various<a href=\"https:\/\/m2comms.com\/2023\/07\/05\/documentary-types\/\" title=\"\"> documentary types<\/a> to narrate their stories.&nbsp; The accessibility of these documentaries allowed us to recognize the value of the medium and has led to a growing appreciation for documentary films beyond TV screens.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>The State of Documentary Films in the Philippines<\/strong><\/h2>\n\n\n\n<p>In 2020, the Filipino Documentary Society launched <a href=\"https:\/\/daangdokyu.ph\/about\">Daang Dokyu<\/a>, a film festival showcasing Filipino documentaries from the 20th century to the present. The event aimed to provide Filipino films a space to be highlighted and celebrated as a stand-alone medium, not a subgenre of fiction film. Daang Dokyu was founded by filmmakers Jewel Maranan, Baby Ruth Villarama, Kara Magsanoc-Alikpala, and Monster Jimenez.<\/p>\n\n\n\n<p>Documentary films have also populated online streaming platforms in the last two years. A 2021 <a href=\"https:\/\/time.com\/5951774\/new-documentaries-streaming\/#:~:text=KING%20TO%20WEWORK-,How%20Docu%2DMania%20Took%20Streaming%20by%20Storm%2C%20From%20Tiger%20King%20to%20WeWork,-Streaming%20services%20are\">TIME Magazine article<\/a> dubbed the rise of documentary films as \u201cdocu-mania.\u201d For instance,&nbsp; <a href=\"https:\/\/www.nielsen.com\/insights\/2021\/tops-of-2020-nielsen-streaming-unwrapped\/#:~:text=Insights%20%3E%20Media-,Tops%20of%202020%3A%20Nielsen%20Streaming%20Unwrapped,-3%20minute%20read\"><em>Tiger King<\/em> (2020) ranked 5th<\/a> among the most streamed shows on Netflix in 2020. <em>The Great British Baking Show<\/em> also ranked 7th. Others worth mentioning are <em>Amy<\/em> (2015), <em>Gaga: Five Foot Two<\/em> (2017), <em>Miss Americana<\/em> (2020), and <em>Billie Eilish: The World&#8217;s a Little Blurry<\/em> (2021). The medium allowed music icons to show the intimate parts of their lives beyond what is aired on mainstream media.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Filipino Documentary Filmmakers<\/strong><\/h2>\n\n\n\n<p>As documentary films grow in popularity, Filipino filmmakers from different backgrounds continue to experiment with the medium through video journals, expos\u00e9s, or biopics, among many others. We list down six Filipino documentary filmmakers you should keep on your radar.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1. <strong>Adjani Arumpac<\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Adjani-Arumpac-1.jpeg\" alt=\"Portrait of Adjani Arumpac, a documentary filmmaker.\" class=\"wp-image-28433\" width=\"375\" height=\"385\" srcset=\"https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Adjani-Arumpac-1.jpeg 500w, https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Adjani-Arumpac-1-292x300.jpeg 292w\" sizes=\"(max-width: 375px) 100vw, 375px\" \/><figcaption class=\"wp-element-caption\">Photo source The Movie DB<\/figcaption><\/figure><\/div>\n\n\n<p>Filmmaker <a href=\"https:\/\/www.themoviedb.org\/person\/1368126-adjani-guerrero-arumpac\">Adjani Arumpac<\/a> is most notable for her documentary film about the <a href=\"https:\/\/www.usip.org\/publications\/2022\/01\/long-road-peace-southern-philippines\" title=\"\">war in the southern Philippines<\/a>: <a href=\"https:\/\/www.imdb.com\/title\/tt2872126\/\"><em>War Is a Tender Thing<\/em> (2013).<\/a> Narrated through the lens of her family history, Arumpac unravels the gruesome truth of the Moro conflict featuring the director\u2019s parents, uncles and aunties, cousins, and neighbors. Using the impact documentary style, the filmmaker aims to draw empathy for marginalized communities affected by war. This unique filmmaking approach humanizes the Moro conflict, its victims, and its perpetrators. It is also worth noting how rarely the situation is talked about in mainstream media.<\/p>\n\n\n\n<p>Arumpac is also known for <a href=\"https:\/\/www.imdb.com\/title\/tt3809658\/\" rel=\"nofollow\" title=\"\"><em>Nanay Mameng<\/em> (2012),<\/a> a biopic of a Filipina urban mass leader, and <a href=\"https:\/\/www.imdb.com\/title\/tt15215640\/\" rel=\"nofollow\" title=\"\"><em>Count<\/em> (2021),<\/a> a 13-minute documentary that plays with the idea of internalized historical misalignment.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"War is a Tender Thing | Trailer\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/1eT6Svwg7xQ?start=2&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><em>War Is A Tender Thing<\/em> by Adjani Arumpac | Trailer<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">2. <strong>Kristoffer Brugada<\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Kristoffer-Brugada-1024x1024.webp\" alt=\"Portrait of Kristoffer Brugada, a documentary filmmaker.\" class=\"wp-image-28434\" width=\"375\" height=\"385\"\/><figcaption class=\"wp-element-caption\">Photo source <a href=\"https:\/\/logannonfiction.org\/projects\/kristoffer-brugada\/\" rel=\"nofollow\" title=\"\">Logan Nonfiction Program&nbsp;<\/a><\/figcaption><\/figure><\/div>\n\n\n<p>Director <a href=\"https:\/\/www.imdb.com\/name\/nm4934790\/\" rel=\"nofollow\" title=\"\">Kristoffer Brugada<\/a> is known for his 2019 documentary film <a href=\"https:\/\/www.imdb.com\/title\/tt12735332\/?ref_=nm_knf_t_1\" rel=\"nofollow\" title=\"\"><em>Elehiya sa Paglimot<\/em>,<\/a> a personal documentary about life, love, and loss. The film opens a window for the audience to witness how he dealt with his father&#8217;s Alzheimer\u2019s disease. Using the participatory documentary style, Brugada allows his viewers to see through his vulnerability as he finds solace in his father&#8217;s passing.<\/p>\n\n\n\n<p>His courage in sharing his personal story is a testament to the value and power of documentary films. The medium allows us to find empathy in circumstances we have yet to experience\u2013our mortality.<\/p>\n\n\n\n<p>Brugada is also known for his TV documentary <em>Dreaming of My Homeland<\/em> and the short film <a href=\"https:\/\/www.youtube.com\/watch?v=bHlb6D8kbtM\"><em>Bullet-Laced Dreams<\/em><\/a>, which the Tribeca Film Institute and In-Docs supported.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"An Elegy to Forgetting Trailer\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/EYs-iLKexRI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><em>Elehiya sa Paglimot<\/em> (2019) by Kristoffer Brugada | Trailer&nbsp;<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>3. Alyx Arumpac<\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Alyx-Arumpac-1024x580.webp\" alt=\"Portrait of Alyx Arumpac, a documentary filmmaker.\" class=\"wp-image-28435\" width=\"512\" height=\"290\" srcset=\"https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Alyx-Arumpac-1024x580.webp 1024w, https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Alyx-Arumpac-300x170.webp 300w, https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Alyx-Arumpac.webp 1600w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/><figcaption class=\"wp-element-caption\">Photo source <a href=\"https:\/\/www.3continents.com\/en\/individu\/brouillon-auto-66\/\" rel=\"nofollow\" title=\"\">3Continents<\/a><\/figcaption><\/figure><\/div>\n\n\n<p>If you&#8217;ve heard of <em>Aswang<\/em>, you are probably familiar with <a href=\"https:\/\/alyxarumpac.com\/aboutcontact\">Alyx Arumpac<\/a>.&nbsp;<\/p>\n\n\n\n<p><a href=\"https:\/\/daangdokyu.ph\/documentaries\/20\"><em>Aswang<\/em> (2019)<\/a> was Arumpac\u2019s debut film. When it was <a href=\"https:\/\/www.facebook.com\/dakila.philippines\/posts\/aswang-is-still-online-and-up-for-public-viewing-until-1159-pm-today-if-you-have\/10157212625347461\/\">made public last July 12, 2020<\/a>, by advocacy group <a href=\"https:\/\/www.facebook.com\/dakila.philippines\">DAKILA<\/a>, public discourse on <a href=\"https:\/\/www.hrw.org\/tag\/philippines-war-drugs#:~:text=Philippines%E2%80%99%20%E2%80%98War%20on%20Drugs%E2%80%99\">Duterte\u2019s war on drugs<\/a> rose on various online spaces. The film documented the lives of suspected drug users, pushers, and small-time criminals, whose fates intertwined with the first two years of <a href=\"https:\/\/humanrightsmeasurement.org\/extrajudicial-killings-in-the-philippines\/#:~:text=Extrajudicial%20killings%20in%20the%20Philippines\">extrajudicial killings<\/a> in Manila. Through the lens of the victim\u2019s families and communities, we could picture the gravity of the crisis. Arumpac\u2019s fearless approach to filmmaking <a href=\"https:\/\/m2comms.com\/2023\/05\/08\/impact-documentaries-in-the-age-of-digital-marketing\/#:~:text=What%20am%20I%20revealing%3F\">unraveled stories<\/a> the mainstream media seldom discussed.<\/p>\n\n\n\n<p><em>Aswang<\/em> won four awards at the Gawad Urian 2021: Best Picture, Best Director, Best Cinematography, and Best Documentary. It was also the <a href=\"https:\/\/www.philstar.com\/movies\/2021\/10\/22\/2135982\/anti-drug-war-aswang-1st-docu-win-gawad-urian-best-film#:~:text=Anti%2Ddrug%20war%20%27Aswang%27%20is%201st%20docu%20to%20win%20Gawad%20Urian%20Best%20Film\">first documentary film to achieve Best Picture at the Gawad Urian<\/a>. At the FAMAS 2020, <em>Aswang<\/em> bagged four awards: Best Picture, Best Cinematography, Best Editing, and Best Documentary Film.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Aswang (2019) by Alyx Arumpac Trailer\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/qbY_eyMcZzg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><em>Aswang<\/em> (2019) by Alyx Arumpac | Trailer&nbsp;<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">4. <strong>Baby Ruth Villarama<\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Baby-Ruth-Villarama-1024x682.webp\" alt=\"Portrait of Baby Ruth Villarama, a documentary filmmaker.\" class=\"wp-image-28436\" width=\"512\" height=\"341\" srcset=\"https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Baby-Ruth-Villarama-1024x682.webp 1024w, https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Baby-Ruth-Villarama-300x200.webp 300w, https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Baby-Ruth-Villarama.webp 2000w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/><figcaption class=\"wp-element-caption\">Photo source <a href=\"https:\/\/35.chevening.org\/changemakers\/baby-ruth-villarama\/\" rel=\"nofollow\" title=\"\">Chevening<\/a><\/figcaption><\/figure><\/div>\n\n\n<p>Filmmaker and producer <a href=\"https:\/\/www.imdb.com\/name\/nm3974498\/bio\/\" rel=\"nofollow\" title=\"\">Baby Ruth Villarama<\/a> has been in the filmmaking industry for over ten years. Her filmography spans international borders, platforms, and mediums. From writing and producing television documentaries to championing Filipino documentary films internationally, her body of work is truly impressive.&nbsp;<\/p>\n\n\n\n<p>Villarama is known for her 2016 film <a href=\"https:\/\/www.imdb.com\/title\/tt6102288\/?ref_=nm_knf_t_1\" rel=\"nofollow\" title=\"\"><em>Sunday Beauty Queen<\/em><\/a>, which follows the lives of Filipino domestic helpers as they dream of becoming beauty queens in Hong Kong. The documentary captures the struggles of being an Overseas Filipino Worker (OFW), the various private and public institutions that hinder their livelihood and employment, and the families they have left behind in the Philippines.<\/p>\n\n\n\n<p><em>Sunday Beauty Queen<\/em> won <a href=\"https:\/\/www.rappler.com\/entertainment\/156705-winners-mmff-2016-awards-night-full-list-gabi-ng-parangal\/#:~:text=Best%20Picture%3A%C2%A0Sunday%20Beauty%20Queen\">Best Picture at the 2016 Metro Manila Film Festival<\/a>, being the first documentary to bag the prestigious award. It also won <a href=\"https:\/\/www.rappler.com\/entertainment\/176178-full-list-winners-gawad-urian-awards-2017\/#:~:text=WINNER%3A%20Sunday%20Beauty%20Queen%2C%C2%A0Babyruth%20Villarama%2DGutierrez\">Best Documentary at the 2017 Gawad Urian<\/a>.<\/p>\n\n\n\n<p>In 2019, Villarama was <a href=\"https:\/\/www.rappler.com\/entertainment\/234400-ditsi-carolino-baby-ruth-villarama-new-invited-members-us-academy\/#:~:text=Baby%20Ruth%20Villarama%20have%20been%20invited%20to%20be%20part%20of%20the%20Academy%20of%20Motion%20Picture%20Arts%20and%20Sciences%E2%80%99%20list%20of%20members.\">invited to be a member of the Academy of Motion Picture Arts and Sciences<\/a>\u2014the Academy votes for the winners of the annual Oscars.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Cinematografo: Sunday Beauty Queen Official Trailer\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/d8wPfom4T8A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Sunday Beauty Queen (2016) by Dir. Baby Ruth Villarama | Trailer&nbsp;<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">5. <strong>Pabelle Manikan<\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Pabelle-Manikan-1.webp\" alt=\"Portrait of Pabelle Manikan, a documentary filmmaker.\" class=\"wp-image-28438\" width=\"351\" height=\"351\" srcset=\"https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Pabelle-Manikan-1.webp 351w, https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Pabelle-Manikan-1-300x300.webp 300w, https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Pabelle-Manikan-1-150x150.webp 150w\" sizes=\"(max-width: 351px) 100vw, 351px\" \/><figcaption class=\"wp-element-caption\">Photo source <a href=\"https:\/\/www.linkedin.com\/in\/pabelle-manikan-6982bbb5\/\">Pabelle Manikan\u2019s LinkedIn Account<\/a><\/figcaption><\/figure><\/div>\n\n\n<p>Filmmaker <a href=\"https:\/\/www.imdb.com\/name\/nm5854214\/\" rel=\"nofollow\" title=\"\">Pabelle Manikan<\/a> is known for directing <a href=\"https:\/\/www.imdb.com\/title\/tt14256824\/?ref_=nm_flmg_t_1_dr\" rel=\"nofollow\" title=\"\"><em>Dreaming in the Red Light<\/em> (2019)<\/a>, an intimate look into the lives of two women: a former sex worker and her half-German daughter. <em>Dreaming in the Red Light<\/em> tells the story of how the two navigate their mother-and-daughter relationship amidst poverty and troubled pasts. The film started production back in 2016 when Manikan noticed the high number of mixed-race children in Angeles City, Pampanga. She then went on to follow the lives of the two women as they struggled to turn their situation around for the better.<\/p>\n\n\n\n<p>Manikan\u2019s filmmaking approach allowed her to capture moments only the female gaze could glance at. In her <em>Daang Dokyu<\/em> introduction video, Manikan emphasized the importance of showing the lives of women outside of bars and strip clubs to reveal who they truly are without the bold lipstick, eyeliner, and fear of not landing a customer for the night.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Dreaming in the Red Light (2019) by Pabelle Manikan Trailer\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/iu9xzvDPIIQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><em>Dreaming in the Red Light<\/em> (2019) by Pabelle Manikan | Trailer&nbsp;<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>6. Demie Dangla<\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Demie-Dangla.webp\" alt=\"Portrait of Demie Dangla, a documentary filmmaker.\" class=\"wp-image-28439\" width=\"400\" height=\"400\" srcset=\"https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Demie-Dangla.webp 800w, https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Demie-Dangla-300x300.webp 300w, https:\/\/m2comms.com\/wp-content\/uploads\/2023\/07\/Demie-Dangla-150x150.webp 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\">Photo source <a href=\"https:\/\/www.linkedin.com\/in\/demie-dangla-783208b4\/\">Demie Dangla\u2019s LinkedIn account<\/a><\/figcaption><\/figure><\/div>\n\n\n<p>Director <a href=\"https:\/\/www.imdb.com\/name\/nm10718429\/\">Demie Dangla<\/a> is a photographer and filmmaker whose artistic identities revolve around her discussions on personal memories, social realities, and collective experiences. She received the <a href=\"https:\/\/engagemedia.org\/team\/demie\/#:~:text=National%20Geographic%20Explorer%20grant\">National Geographic Explorer grant<\/a> for a documentary photography project that explored the effects of urban development and tourism on indigenous communities. In 2023, she was one of the <a href=\"https:\/\/www.berlinale-talents.de\/bt\/\/talent\/demiedangla\/profile\">Berlinale Talents<\/a> from the Philippines.<\/p>\n\n\n\n<p>As of writing, Dangla is in the late development stage of her documentary film <a href=\"https:\/\/demiedangla.com\/2023\/03\/12\/magnetic-letters-2\/\"><em>Magnetic Letters<\/em>.<\/a> The film is a participatory documentary wherein she examines her distant relationship with her OFW father. <em>Magnetic Letters<\/em> is a compilation of fragmented memories woven from audio and video cassette tapes recorded in the late 1980s and 1990s.<\/p>\n\n\n\n<p>The unique and intricate approach to the medium makes <em>Magnetic Letters<\/em> an exciting film to see on the big screen.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>It\u2019s a Wrap<\/strong><\/h2>\n\n\n\n<p>Documentary films remain an essential part of the media diet amidst emerging online media consumption. With various known brands and corporations playing with the medium, the future of documentaries is bright in the country.<\/p>\n\n\n\n<p>By supporting the works of Filipino documentary filmmakers, we also support the arts, the filmmaking industry, and the stories we tell and continue to share.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Related Content<\/strong><\/h3>\n\n\n\n<ul>\n<li><a href=\"https:\/\/m2comms.com\/2023\/05\/08\/impact-documentaries-in-the-age-of-digital-marketing\/\">Impact Documentaries in the Age of Digital Marketing<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/m2comms.com\/2023\/06\/13\/social-impact-documentaries\/\">Social Impact Documentaries to Watch in 2023<\/a><\/li>\n<\/ul>\n\n\n\n<p><em>M2.0 Communications is a <\/em><a href=\"https:\/\/m2comms.com\/\"><em>public relations agency <\/em><\/a><em>that helps brands creatively tell their stories. We offer services, including PR advisory, reputation management, influencer marketing, and <a href=\"https:\/\/m2comms.com\/creatives\/photo-video-production\/\" title=\"\">video production<\/a>. Visit <\/em><a href=\"https:\/\/m2comms.com\/case-studies\/\"><em>our work<\/em><\/a><em> to learn more about the brands we collaborate with.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Documentaries are no longer textbooks in motion. Filipino documentary filmmakers have helped solidify the medium in the age of online streaming platforms. Documentaries are media frequently consumed in the Philippines. Many of us grew up watching television shows such as \u201cKapuso Mo Jessica Soho,\u201d \u201cReporter&#8217;s Notebook,\u201d \u201ci-Witness,\u201d and \u201cInvestigative Documentaries,\u201d which used various documentary types [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":28428,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[216],"tags":[237],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/m2comms.com\/wp-json\/wp\/v2\/posts\/28421"}],"collection":[{"href":"https:\/\/m2comms.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/m2comms.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/m2comms.com\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/m2comms.com\/wp-json\/wp\/v2\/comments?post=28421"}],"version-history":[{"count":11,"href":"https:\/\/m2comms.com\/wp-json\/wp\/v2\/posts\/28421\/revisions"}],"predecessor-version":[{"id":34750,"href":"https:\/\/m2comms.com\/wp-json\/wp\/v2\/posts\/28421\/revisions\/34750"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/m2comms.com\/wp-json\/wp\/v2\/media\/28428"}],"wp:attachment":[{"href":"https:\/\/m2comms.com\/wp-json\/wp\/v2\/media?parent=28421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/m2comms.com\/wp-json\/wp\/v2\/categories?post=28421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/m2comms.com\/wp-json\/wp\/v2\/tags?post=28421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}